Virginia Woolf talks fruit

"As for my next book, I am going to hold myself from writing it till I have it impending in me: grown heavy in my mind like a ripe pear; pendant, gravid, asking to be cut or it will fall."

 

September 2010
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Coming Soon

* Fresh Picked - review of a debut work by a Canadian writer, plucked from the tree of a Canadian publisher

* Fruit Basket - reviews of an established Canadian author's works, one bite -- er, book -- after the next

* Cobbler - reviews of an assortment of Canadian works on a theme, a variety of flavours to tempt your tongue

On Construction

What we have to learn to do, we learn by doing.
Aristotle

Technique in the minds of many is something rigid, something like a formula that you impose on the material; but in the best stories it is something organic, something that grows out of the material, and this being the case, it is different for every story of any account that has ever been written.
Flannery O’Connor

The more successful you are in seducing your reader into the nature and world of this fiction, the more the reader is going to forget everything that’s in it. Structure has to work in pretty invisible ways.
Ian McEwan (Powells Interview January 2004)

No tool, in and of itself, has great importance. But placed in the proper hands it can create a masterpiece.
Joni Eareckson Tada

Perhaps all stories run into chaos. No matter how well constructed, how well organized, all stories end in chaos. In disaster.
Kristjana Gunnars

A word after a word after a word is power.
Margaret Atwood

Please start wherever you wish. Real life doesn’t have beginnings, middles and ends, not like stories in books.
Marina Warner

Still, I know nothing about the technical stuff of writing or where to put a comma. What I know about writing goes beyond where to put your commas. What I know about writing has to do with where you put your heart.
Nasdijj

Unfailingly find the fault line, the tiny place where meaning calls for some daring moves.
Nicole Brossard

Words in a sentence are a written gesture. And if the cadence is wrong – if the rhythm is wrong – if a single syllable is out of place – the sentence fails … the book fails. Why? Because you have failed to impel the reader forward with every gesture … right to the ‘fingertips’ – all the way from the solar plexus. That’s where books are written. That’s where readers read.
Timothy Findley